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Within this tradition, there are several strains of performance practices as we traverse the length of the Malabar Coast. Unlike Koodiyattam's roots of ancient provenance, the Yakshagana style mostly found in the coastal regions of Karnataka showcases dusk-to-dawn performances of the Rāmāyaṇa, which betray both classical and folk influences.
Beginning with children attending gurukuls with young Rama and his brothers, to the crowds that throng his triumphant return from exile, the lines between audiences and characters are spectacularly blurred. Ramnagar has been immortalised on celluloid, albeit fictionally restyled, by Hindi heartland epics Gangs of Wasseypur and Mirzapur - but its Rāmāyaṇa traditions are much less parochial, taking along an entire community over the course of its narrative signposts. Started circa 1830 by the King of Benares, it has traditionally been performed in specially created sets sprawled across the town during the festive season. Perhaps the grandest of the Ramlilas takes place in Ramnagar, in Uttar Pradesh's Varanasi district, a twelve-hour ride from Faridabad. However, the poetic banter in Urdu plays magnificently to the gallery, and more than justifies the Ramlila's raison d'être. One of the rare Ramlilas from Faridabad that casts women in all principal female parts, the brand of acting on display is typically standard-issue melodrama. Photo credit: Shri Shraddha Ramlila Committee